Monthly Archives: May 2015

On… Road Twenty-Two

This is the perfect black sleeveless tshirt.

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Bonus: made by Road Twenty-Two – an American-owned and American-based company that employs women who need a chance – women who were formerly incarcerated, homeless, or fighting drug addiction.

The mission of the company was what appealed to me at first (after reading Orange Is The New Black I realized the US prison system is like one of those 70s dystopia movies where you keep thinking ‘this is a horrifying nightmare, who would make this shit up?’ but IT’S REAL). And the fact that it’s made here in the States also makes me very happy. Lately I’ve been thinking more and more about how the purchasing decisions I make impact people – there was a great John Oliver piece about it. Yes, that’s probably the most bourgeois-yupster way to become aware of a problem but WHATEVER.

Of course, now I’m like, okay, but what should I do? Because I don’t see that many alternatives. I either buy that fast-fashion H&M and Gap and Zara clothing that some impoverished child in Bangladesh was forced to stich with her tiny hands while crouching in a rat-infested asbestos-scented tinderbox, or I buy American Apparel clothing that was probably used by a hapless SoCal millennial to mop up the aftermath of one of Don whateverhisnamewas’s forced BJs. Like, ew.  These are not great choices.

I guess the answer is to buy less and buy thoughtfully, so that’s what I’m trying to do.

Starting with Road Twenty-Two.

On… Milk Milk Lemonade

Everyone (including me) has been talking non-stop about the new season of Inside Amy Schumer, particularly because of this and this, but this song is just as brilliant, and I have been singing it nonstop for a week, so I figured I should share it with you guys.

Also, just because I keep telling people to look this up: one of the Chris Hemsworth bits from SNL a few months ago.

 

On… research

I’m a research nerd.

When I got my very first job in advertising in London in my early 20s, I was totally clueless. And I knew it.

First, I panicked.

Then I read every industry book and magazine I could find. I wrote down advertising phrases I didn’t understand in meetings, and looked them up straightaway afterwards. I read this and this and this and this and this. I researched the last twenty years of major advertising awards to figure out which campaigns won, why they won, and who created them. It helped, in a million tiny ways, totally separate from any creative ability I had, to learn more about the world that I was trying to join. I understood it, and – not to sound even more nerdy – respected it. (Of course, by the end of my 20s, thought ‘why the hell am I trying to sell people shit they don’t need? I’d prefer to just entertain them’. But before that came research.)

Becoming an author was far more point-and-shoot: I was still working in advertising, decided to write a book when I hurt my back and was stuck at home, wrote three chapters, sent it to ten book agents I found on Google, got some replies, finished the book, and got a book deal with Harper Collins, all in just over a year. Obviously there was a lot of angst in that year too, but it didn’t take much research. I had a story and a voice and that’s all you really need.

Then at some point last year, as I was doing a screenplay rewrite for a producer and wondering how many rewrites happen and how many screenplays go unproduced and just what ARE the odds of a movie being made anyway, I realized I didn’t know much about the entertainment business. I mean, I know how it works theoretically, obviously. I love movies. I love television. I was as obsessed with watching (and re-watching and re-watching) old movies as any other shy, creative teenager with slight OCD. I’ve always read scripts for fun (particularly, and predictably, Nora Ephron, Richard Curtis and William Goldman). I read a zillion old movie star biographies when I was younger, because hello, Ingrid Bergman.

But I didn’t know much about the history, the people, the culture, the machine. The business of the business. I didn’t know it worked. It was an amorphous mass in my imagination: Hollywood. And I really hated feeling clueless again.

So I started to read. My OCD took over. I’ve tracked down dozens of in-and-out-of-print books about producers, directors, writers, agenting, movie deals – anything to do with the entertainment business. And I LOVE them. Some of the authors of these books – particularly some of the producers – I now think of with such affection and respect, they’re practically mentors. They just don’t know it. (I’m sure they’d be thrilled.) These books are inspiring and impressive – and almost always extremely entertaining. So in case you’re interested in this subject, too, let me save you some time: here are the 29 books that you might like to read.

(I read quite a few how-to books about writing for movies and TV years ago, of course, books like this and this and this - but really, you can read about writing forever but at some point you have to just fucking write. Then get sharp, incisive feedback from someone very smart, then rewrite and rewrite and rewrite.)

I’m probably still pretty clueless, but that’s okay. I’m getting there.

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I know I’ve barely touched the surface, so if you think I’ve missed a great book, email gemma@gemmaburgess.com

Once I finished that last book, by the way, I craved fiction. So I read Persuasion, and am now reading Pride and Prejudice. I know, I know. Hearing about someone reading Jane Austen is so fucking annoying. Austen has totally jumped the shark in the past decade. But then when you get back to the books, she’s just that good – funny and intense and romantic and wise – that you don’t care. Read Pride and Prejudice again. It’s worth it.